Monday, October 27, 2008

Interview - The Octopus Project




Texas-based band The Octopus Project create the sort of music that intensifies and reveals more layers the more times you listen through. Their sound is heavy on the electronics but avoids the common pitfall of too much repetition. Currently known as one of Austin's best local bands, it seems to be a matter of time before they become a national fixture. They recently took the time to answer some questions from the road, which you can check out below.

What is the best description of your music that you’ve read (in a review/feature/etc)?

There’s a (now defunct) magazine called Resonance that wrote a pretty amazing article about us. It was literally the dream article that said all the things I’ve always wanted someone to say about us. They even put us on the cover. Unfortunately, the issue that featured us was the first issue to not be printed, and didn’t come out on newsstands. It was an amazing article though!

One of the things that The Octopus project is known for is as being a big part of the Austin music scene – How has the area affected your music, and would you say that there is an “Austin sound?”

I think living in
Austin is amazing. It’s my favorite town in the world. The general vibe around town is pretty relaxed, and incredibly friendly, so it’s possible that sneaks into our music somehow. I think we’re happy folks, and living in Austin makes us happy, so I suppose that might have something to do with the way we approach making music.

I don’t think there is one particular “
Austin sound,” but I do think we have a pretty amazing scene going on. There are a million bands in town, and the community is incredibly supportive of musicians. That environment seems to foster creativity and a general excitement about doing your own thing.

How do your songs begin? Do they start out from an electronic place, or does the songwriting process begin with a more stripped-down instrument and then evolve?

Every song we write is different, but most of them come from a sound or idea from one person, then things get passed around a bit between the rest of us for a while before we consider something to be complete. We tend to like to work on things by ourselves – sitting in front of the computer, or at the practice space. Also, if one person has specific ideas for a song, sometimes they’ll just write the majority of the song, and the rest of us will figure out how to play the parts/change things around a little bit to make them our own. Almost every song touches all of our hands at one point or another.

However, it’s pretty rare that we’ll write a song while we’re all in the room together. We tend not to jam a whole lot. It’s really fun, but I feel like most things we make up at practice have a tendency to sound like Stereolab – long and droney. Which is great, but I think we're going for a different thing. It often takes us a while to write new songs by passing them back and forth, but I feel like we work really well together that way.

What is your current favorite new or lesser-known band at the moment?

We’re all pretty into diverse things, so it’s hard to pinpoint one band. But, to name some: Ananda Shankar, Satyajit Ray, Alice Coltrane, Dead Science, Diagonals.

Are there any albums that are indispensable in the tour van rotation?

We tend to listen to a lot of quiet, minimal stuff in the van. Things that are really repetitive are pretty awesome to drive to. Right now, we play a bunch of stuff by Steve Reich, Johann Johannsen, Keith Fullerton Whitman, Popol Vuh.

If you could play a show alongside any artist or band, ala the Beck tour that had The Flaming Lips as his backing band, who would it be?

If I had to pick any band in history, the Beatles would be a pretty easy choice. But, as far as current bands go, I think Deerhoof, Sonic Youth or Flaming Lips would be pretty high up there.

What has been your proudest achievement as a band to date?

Hmm…. I’m pretty proud of the fact that we’ve been a band for a while now, and are still really excited about the things we do. I don’t feel like we’ve gotten burned out, and still feel like there’s so much we have left to explore.

What artists that you listened to growing up most influence the music you’re now making?

I was pretty obsessed with bands like Sonic Youth, Flaming Lips, Mercury Rev, and Velvet Underground when I was in high school, and I know their musical ideas definitely creep into our music every once in a while. One of the things I liked most about those bands is that they were always more than just rock bands. All of those bands was/are first and foremost, excited about experimenting with sounds, but at the same time they know how to write amazingly beautiful songs. That’s a balance that we strive for as well.

How would you define success as a band?

I think bands are successful when they are making music that they are happy about. We were talking with a friend the other day, and he told us about a band that he knew who had been together for 20 years. They barely ever tour, and don’t really put out too many records, but have practiced every Tuesday night for the last 20 years. They just love what they’re doing, and love being together, and that’s really what it all boils down to. Making money and being recognized by your peers are great, but at the end of the day you have to be happy with what you are doing and whom you are doing it with. Those are the measures of success to me.

So, a tour ends, and you all head back to
Austin. What’s the first place you go? And, if it’s different, what is your favorite spot in Austin?

There are so many great things about
Austin. We all love swimming at Barton Springs, watching movies at the Alamo Drafthouse, and eating at our favorite restaurant, Uchi. Just being home is pretty amazing though!

If budget wasn’t an issue, what kinds of things (if anything at all) would you like to incorporate into your live show?

I don’t know what we’d do. We’ve always had an enormously tiny budget, so we’ve had to work around that. I think there’s so much more you can do when you have no money versus a huge budget. It forces you to think more creatively.


Mp3: The Octopus Project - I Saw the Bright Shinies
Video: The Octopus Project - I Saw the Bright Shinies

Thursday, October 16, 2008

Passion Pit - I've Got Your Number



Some of you may have read about Passion Pit lately due to the release of their new video for "Sleepyhead," off of their EP Chunk of Change. That track is promising, but to me it doesn't stand up terribly well over repeated listenings. Thankfully, Passion Pit brings the real jams elsewhere on their EP. One of my favorites is "I've Got Your Number," which you can find below. For those of you that think you might like your MGMT with a bit of a Postal Service filter, give this one a shot.

Myspace: Passion Pit
Stream: Passion Pit - I've Got Your Number
Ive Got Your Number - Passion Pit

Tuesday, October 14, 2008

Deerhoof - Offend Maggie




I was trying to decide if I should post this song for the past few weeks, but as I can't get it out of my head, I think that's a sign that it's time. Maybe if I pass it along to others, we can share the "Ring ring, I hang up"'s. Try to think of it in a sharing candy kind of way, not in a videotape in The Ring kind of way.

Be sure to check out the 1:22-1:33 instrumental break in the song - it's a great little example of the attention to detail that the band shows at their best moments.

Mp3: Deerhoof - Offend Maggie

Thursday, October 09, 2008

Abrahamson & The Façade - Julie

I know nearly nothing about this artist, except that it is a solo project by Tyler Futrell, and that he's made a track worth sharing. The song starts off with a slow tempo and a guitar accompaniment, but takes a number of interesting turns as the full five minutes or so play out. Check it out for yourself below.

Mp3: Abrahamson & The Façade - Julie

Monday, September 29, 2008

Wale - W.A.L.E.D.A.N.C.E.




It's been awhile since I heard a hip-hop artist that stuck out as being head and shoulders above anything else out at the moment*. DC rapper Wale sounds like an artist that desperately wants to be the best at what he does, and after hearing just two of his albums, I'm convinced that he's already there. I'll just leave it at that, but please do yourself a favor and download both The Mixtape About Nothing (an entire album that uses Seinfeld clips/samples, oh yeah) and 100 Miles and Running for free at Wale's myspace. Also, below is Wale rapping over Justice's D.A.N.C.E. Re-adjust your favorite artist lists accordingly.

Mp3: Wale - W.A.L.E.D.A.N.C.E.
Video: Justice - D.A.N.C.E.

*Credit to the music master Willis for the heads-up on this one.

Wednesday, September 24, 2008

Matt and Kim - Good Ol' Fashion Nightmare



Matt and Kim, the Mates of State in reverse (or at least on reverse instruments), are on the verge of releasing a new album, Grand. The first single from the album, "Good Ol' Fashion Nightmare," features a decidedly less lo-fi sound for the duo, which works great on this track. When you just have a drum set and keyboard to work with, the sound is going to be pretty minimalistic, but the higher level of production here though fills out the sound in a positive way. You can find the track at the Matt & Kim-friendly site below.

Matt and Kim - Good Ol' Fashion Nightmare

Saturday, August 30, 2008

R.I.P. Paperthinwalls.com




Sad day, as one of my favorite non-blog, sort-of music blog roundup websites, Paper Thin Walls, announced it is ending its run. Check out their "PTW's Almanack: The Greatest Hits" feature to see some of the best featured on the site over the years.

Friday, August 29, 2008

mr. Gnome - Night of the Crickets

So I just recently came across this band/song/video and though a bit odd, all are worth a look. The band's sound reminds me off the Yeah Yeah Yeahs, perhaps with a bit more of a mid-90s-alternative-nation-appeal to it. Keeping with that theme, the video is reminiscent of the kind of videos that you would stumble upon while watching late night MTV back when it was good and did things like play music videos. Oh, 120 Minutes, where have you gone?

Wednesday, August 20, 2008

Bowerbirds - Olive Hearts



A track that I was mildly obsessed with last year was Bowerbirds' "In Our Talons," which led me to check out their great set at SXSW '08. This week I finally picked up the band's full length debut, Hymns for a Dark Horse, and now wish I had done so months ago.

Lead single "In Our Talons" is immediately catchy, due in part to a main refrain sung as a group effort, and an accordian hook (just go with it). The song on the album that took me off guard in terms of how much I liked it, though, was "Olive Hearts," which starts out a bit slower but builds as the song develops. As I was listening to the album through (particularly "Olive Hearts"), I realized that I really enjoyed how the vocals and instrumentation interact in Bowerbirds. The two entities are almost like an owner walking their dog, with the dog happily walking off the trail here and there, but never straying too far. It's a style that could go dramatically wrong (see: Dirty Projectors), but works perfectly for Bowerbirds. Streaming and video links below.

Stream: Bowerbirds - Olive Hearts
Video: Bowerbirds - In Our Talons

Tuesday, August 12, 2008

Meeting (& Exceeding) the Hype: Fleet Foxes



Nowadays, so many bands are overhyped to the point of unattainable expectations. With blogs and media sites posting music recommendations that they get from one another, a band can be over saturated in the matter of a week or two. This new fishbowl environment makes it so much more gratifying to find a few notable bands that emerge as worthy of all that praise (Grizzly Bear & Arcade Fire to name a few that I'd put in this category, disagree as you see fit). The debut Fleet Foxes album has had all kinds of people heaping praise all over it (that dude over at Stereogum, for one, should probably take it down a notch), but the honest truth is that their album really is that good (and as someone who was lucky enough to see them live twice this year, the music translates great in concert). I mean damn, they even made their myspace page funny.

Folksy but not sleepy and spacey but focused, Fleet Foxes really is one of the best albums of 2008. Video above, Mp3 below. Enjoy.

Mp3: Fleet Foxes - He Doesn't Know Why

Friday, August 01, 2008

The Donkeys - Walk Through a Cloud




From the moment you hear the great opening guitar hook in The Donkeys' "Walk Through a Cloud," it's hard not to be won over immediately. It's a light, likable song from the San Diego band that serves as a fun preview of some new music headed our way this fall. Their next album, Living on the Other Side, is due out on September 9th, and I'd recommend staying posted here for more info. Until then, this song is destined to be on my next mixtape. Check it:

Mp3: The Donkeys - Walk Through a Cloud

Wednesday, July 23, 2008

White Hassle - Life is Still Sweet



I once read this quote from a musician in which they said that their favorite songs had upbeat music but dismal lyrics. While that pretty much defines a large part of indie rock these days, sometimes it's good to just listen to a song that's positive all around. New Yorkers White Hassle crafted one such song a few years back (which later inspired Isaac Brock to write "Float On," incidentally), "Life is Still Sweet." Although the band is now on hiatus, this track should live on in peoples' iPhones or whatever the kids have these days.


Mp3: White Hassle - Life is Still Sweet

Saturday, July 19, 2008

BOAT - Topps




Well, I said I'd post about them at some point, and with the arrival of a new EP, the day has arrived. BOAT's new song, "Topps," combines the worlds of baseball and indie pop as a select few have done before. If you've never heard BOAT before, their sound is both catchy and jumpy, and features a vocal style that evolves depending on what is called for by the backing music (Good examples of other songs to check out include "Elephant Ears" and "I'm a Donkey for Your Love," both on the band's myspace). Anyway, new track for your loving:

Mp3: BOAT - Topps
Buy: BOAT - Topps EP

Take Away Shows in Tallahassee

My new apartment has stairs. Therefore, this is how my mornings will be as I walk down them on my way to work. Happy Saturday,
Adam

Saturday, July 12, 2008

She & Him - Why do you Let Me Stay Here?

I hope to not make a habit of posting videos linking to MTV, since they barely even play music themselves anymore, but so be it for today. This one's for a favorite song of mine on She & Him's debut album, Volume One. After watching it, I felt like it came close to being half creepy and half endearing. However, I think the Zooey Deschanel presence tips it over into the endearing side. As they used to say at the end of "Making the Video" episodes, "AND NOW, THE WORLD PREMIERE (pause for effect) OF SHE & HIM'S "WHY DO YOU LET ME STAY HERE" ("whoosh" noise):


Saturday, July 05, 2008

New Beck - Modern Guilt




Beck Hanson, the Scientology-raised-part-time-semi-sensical-rapping-part-time-heartfelt-singing artist is back for 2008 with a brand new Danger Mouse-produced album, Modern Guilt.Though Guero may be looked at as a slight lull in Beck's career, his last album, The Information, was clearly underrated in my book. It tipped Beck's sound back into the likeable, lighter sounding side of his frenetic music that became almost directionless on Guero. From the sounds of the released tracks of Modern Guilt, it seems as though this go round will feature a sound that is genre-bending but clearly wears the imprint of both Beck and Danger Mouse. You can pick up a copy for yourself on 7/8/08.


Stream: Beck - Orphans/Gamma Ray/Chemtrails

Tuesday, June 17, 2008

Greetings from...Sasquatch! 2008 (a little late, but still)



Oh, Sasquatch. Going in, this festival had a whole lot to live up to for me. I had previously only been to two festivals, but both had extremely impressive lineups. Add that to the fact that I was literally flying as far across the lower 48 states as is possible to get there and that I was passing up Bonnaroo in favor of this Pacific Northwestern alternative, and, well...let's just say it was going to take a lot.

Three days, dozens of bands, and one shower later, I can say with ease that this festival was not only worth going, but that I am already planning out my '09 trip. Much like my SXSW post, I'll try my best to sum it all up with a few highlights and mp3s from some of my favorite acts. Special bonus: grainy pictures from a disposable camera. Makes it more old-timey, I'd say.

Saturday Highlights:


Beirut

If you've never listened to Beirut before, my suggestion is to listen to the Mp3 below and just imagine hearing it live in front of an expansive canyon. I can't think of anyone else that would have truly kicked off the festival any better. Beirut's international sound was the perfect soundtrack to our first glimpse of the Gorge Amphitheatre. I'm rather glad that I had never seen the act before, as it allows me to now have this perfect association in my head: the pairing of venue and sound.

Mp3: Beirut - Scenic World (Second Version)


M.I.A.

I'm not sure how I could possibly do M.I.A.'s performance justice through words, but I will say that it was as good, if not better, than any other large-stage performance of the entire weekend. My friend Roy and I were saying that it felt as though we were at Glastonbury Festival, as the show had the entire crowd moving in unison, a surreal, video-game-esque stop motion video playing in time with her music, and featured several songs with a few hundred fans dancing up on stage. The entire set just blew me away. If you have the chance to check her out, do so.

[photo credit: jerkalertproductions]
Modest Mouse

Sasquatch! has presented some of my favorite performers throughout the festivals history, including Bjork, Arcade Fire, and Beck. This year, Modest Mouse was one such act, and although I had seen them twice already, they were one of my most anticipated sets of the weekend. The set started off a bit slow, and something seemed off. Probably about 1/4 of the way through their time on stage, though, things suddenly turned upwards, right around the time they absolutely ripped through "Trucker's Atlas." From that point forward, the band was 100% phenomenal. It was easily the tightest I have ever seen the band, and it was also the most dynamic performance I've ever seen them give (the addition of Johnny Marr was great to see for the first time, as well). "King Rat" was great to see, and the night's version of "Doin' the Cockroach" was one of the best single songs I've seen from any band of any song in recent memory.

Video - Modest Mouse - Doin' the Cockroach (Unofficial)

Sunday Highlights:

Stephen Malkmus & the Jicks

The photo above: uneven, bad lighting, and perfectly depicts the fact that I was standing at the side of the stage for the Jicks' set. It helps to know powerful performers with extra backstage wristbands, it is true. Malkmus was one of the few acts that I consider to be absolutely an all-time favorite that I had never seen live before. Not only was I able to cross this one off the list, but I was able to watch from a distance of about 10 feet away. The set was a bit jam-heavy, but fulfilling nonetheless. Highlight: Malkmus' pavement joke: "This is the best weather I've ever seen at Sasquatch! I wasn't here yesterday, though. I hear yesterday it was raining sideways...Crooked. Crooked rain."


Flaming Lips Movie Premiere: Christmas on Mars

It was loud, very loud. It also reminded me of a really long nightmare. However, it was really about more than just the movie - it was an experience. Wayne Coyne came out to introduce the film, saying, in his usual quirky-endearing-fast-speak, something to the effect of, "Well, this isn't the first screening, the first screening was two hours ago. But this is the second ever screening of this film. And there will only be one second screening, ever." Good enough for me. We also got free popcorn in a limited edition "Eat Your Own Spaceship" container, and the drummer held the tent curtain open for the crowd as we exited.

Trailer - Flaming Lips' Christmas on Mars (frighteningly enough, very representative of the film)

Monday Highlights:

Thao with the Get Down, Stay Down

This was probably the 50th or so time that I've seen Thao play live, but I think it was also only the 3rd time that I've seen the band playing under their current moniker. As charming and clearly gifted a performer as Thao has always been as a solo performer, her music has never sounded better than it does now, within the confines of a full band. Whereas I used to describe the band as having a clear sound of a group of talented musicians, they now sound like a band that has been playing together for years. Their time spent recently on the road has clearly paid off, as their performance was easily the best, most cohesive second stage performance that I saw all weekend. The rest of the crowd seemed to agree, and the energy that went back and forth between the stage and audience was noteworthy.

Mp3: Thao with the Get Down, Stay Down - Yes, So On and So On


[photo credit: rfc]
Flight of the Conchords

Let me start off by saying that I've seen a total of 5 minutes of the HBO show that these guys star in, and I did not find it all that funny. In the lead-up to the festival, though, I heard a few of their songs, and actually did start to enjoy them more ("that's why they call them business socks?" I mean, come on, how can you deny that?). I ended up deciding on staying for their set to give them a shot and see how they were live. Despite the fact that they were playing to a crowd of probably around 8,000, the duo really held their own and were actually very funny. They were slotted at a great part of the day, as they played an early evening set that followed the guitar work of Rodrigo y Gabriela and was not right up against the Flaming Lips' UFO show. This led to a laid back and receptive crowd, which helped the guys to do a great job of interacting and involving the audience. All in all, it was a smart change of pace for the festival organizers to slip into the lineup.


See you next year, Sasquatch. You too, guitar-rocking-out bear sculpture.


Monday, June 02, 2008

New Video - Thao w/ The Get Down, Stay Down - Swimming Pools




I'm in the midst of playing catch-up at work these days, but I've got a full Sasquatch! 2008 wrap-up post on the way. In the mean time, I'd like to check in with my good friends in Thao with the Get Down, Stay Down. Currently in the midst of their tour in which Rilo Kiley is closing for them, the band has found time to release the third video from We Brave Bee Stings and All, "Swimming Pools." Check it out below, it is definitely my favorite of their videos thus far.


Friday, May 16, 2008

In Appreciation of the Cover Song





Arguments can be made for what makes a great cover song, but I would suggest that the best kind of cover is one in which a band steps outside of their comfort zone in the selection of the song and they subsequently make it their own. It really speaks to both the quality of the song and the versatility of the band taking on the challenge. Submitted for your approval in this category is "Heart it Races," originally by Australian band Architecture in Helsinki, and covered here by Dr. Dog.

The Architecture version is everything that you might expect from them: upbeat, full of dense instrumentation, and very poppy. Somehow, Dr. Dog, who are typically known for a 60's-ish, harmony-heavy, throwback sound, add their own elements to the song (while keeping most of the endearing qualities of the original record). I was lucky enough to catch both bands live last year, and I'd highly recommend checking them both out, and catching each unique take on this song. You can buy both versions and more on Architecture in Helsinki's Heart it Races EP, available right here.

Mp3: Dr. Dog - Heart it Races
Mp3: Architecture in Helsinki - Heart it Races
Video: Architecture in Helsinki - Heart it Races (you really must check this out)

Thursday, May 01, 2008

A Mini Road Trip Mix




So this weekend I'm out of town at a graduation and then at the Tampa Radiohead show, and it got me thinking that I'm in need of a new mix cd for traveling. Although I can't fit everything on my server, I can fit a mini version. While certainly not a full mix cd, I'm willing to go ahead and call it a mix EP. Below, four tracks from the "May 08: Dear Volvo, Please Do Not Break Down. Your Friend, Adam" mix EP, assembled by me.

Cross your fingers for me that I am able to gather myself enough to drive back after seeing my favorite band of all time from a mere 15 rows back.

...and since I'll be gone for about a week:
Mp3: George Costanza - Believe it or Not

Mix EP:

Mp3: Stephen Malkmus - Phantasies
Mp3: Little Ones - Lovers Who Uncover
Mp3: The White Stripes - I Think I Smell a Rat
Mp3: Pixies - Dig for Fire